… a little natural whiteness

Here is a new version of a text by André Gide that I already calligraphied for my professor.
This time I took only the last part of the text and wrote without any ruling to guide me. As for the decoration, I reused an embossed stained glass pattern previously utilized in other works.


To see the whole work, follow the link to the gallery.

Thou lonesome one

Here is a fragment from Thus spoke Zarathustra by Friedrich Nietzsche that I really like.
I wanted to give rise to the first word of the text, thus I drew it from a typography and made it half embossed, half engraved on metal.


The remaining part of the text is calligraphied with a fraktur, I felt it was the accurate script for it.
As usual, to see the whole work, have a look to the gallery.


The Flies – final version

I’ve just finished with my version of the text from The Flies by Jean-Paul Sartre.


You can see the whole work by clicking here.
As it is quite long, one cannot really see anything on this pic, that’s why I took close-ups :

The flies

A draft, made a long time ago.
These are selected bits from the play Les Mouches by Sartre. I used different gothic scripts for the different characters.
The obvious things to do for the final version are :

  • use a paper a little better than this one
  • remove the red versals, stay in monochrome + gold, maybe insert some cadels instead
  • revise the script used for Orestes and Electra
  • add a few more lines
  • and do it all on a paper big enough to have only one column!

If all goes well, the final version will be released this summer.

Seneca Draft

For several months, I had this paper from Kéréon mill that I didn’t know what to do with. Very nice paper but quite difficult to use because of its composition (linen + peat) which gives it a very rough surface, even uneven.
And last night, the illumination: the crate wood!
I only recently started using this “tool” for calligraphy because it’s not really made for small writing modules and I have a hard time working in large format, not that it’s difficult but I don’t find it very beautiful in general.
Anyway, here is a first draft made with Indian ink and crate wood on this exceptional paper.

I think I will continue in this way, with a slightly smaller module (here the letters are 6 cm high) and I hope to have a composition soon with this fragment of a text of Seneca.