I’m back

Long time since I posted here, my apologies.
Now that I feel a little bit less lazy, I’ll try to keep you updated on what’s going on in the workshop 🙂

And today, I finished the calligraphy of a song, Alligator 427, from the french singer Hubert Félix Thiéfaine.
I’ve been thinking about it for years (the first drafts are from 2011 !!) and it’s done !
And, as far as I can say, quite well done (I really like it).

I transferred a photograph (paint marks on a sidewalk) on an old zinc plate, etched the title using acid and ended by writing the text in NEULAND script.

DIY

I had a few easels, wooden and small ones. They didn’t stay right, were fragile, kind of bulls**t.
As I had an exhibition coming fast, I decided that I needed something more resistant so … here is the result :


It doesn’t resemble to anything but it’s not a problem. 80cm of electric wire, carefully bent and here I am, perfectly stable, solid and almost invisible easels. The only problem may be the color but I had some red wire and no time to go and buy some other.

And, as I’m a very gentle guy, here is another cadel letter, this time it’s an L.


weekend report

An ill apple tree cut, 20 m² of ground digged, 5 rose bush and an orange tree transplanted, lots of other maintenance works in the garden… To make it short, I spent all my weekend in the garden.
But, as I woke up early, I found time to etch a new cadel initial, inspired by the same manuscript as the previous one (Basel, Universitätsbibliothek, AN II 3).



It’s quite different from the cadel initials I already made & I like it.
I think I’ll made other ones inspired by the same manuscript but the priority now is the maintenance of the garden 🙂


Cadel initial

Spring is coming and my garden requests all of my time, so no time to do calligraphy. But, surfing on the web, I came accross a manuscript with quite a lot of cadel initials and could not resist. So here is a new cadel initial, inspired by the Basel, Universitätsbibliothek, AN II 3, an initial P, as usual, acid-etched on zinc.



I’m quite happy with it, partly because I could make it smaller than the previous ones without loosing the quality of the etching. It is 6 cm high.

Soon more initials inspired by the same manuscript, if gardening does not take all my spare time 🙂


Limits

A new work, etching again but this time acid-etching on zinc.
It’s a sentence from the play Morts Sans sépulture by Jean-Paul Sartre.
I wanted to have a gash between the beginning of the sentence and the last words, I consequently had to keep the plate in the acid for quite a long time, resulting in holes in other parts of the plate.


But I find the result good, the texture and the look of the plate responds to the text and the spacing between the lines is not a problem either.


I still have to add the name of the author and I will be done with this work 🙂

Mea culpa

I was recently telling you about things clams have to say and insisted on the fact that it wasn’t really enunciated sayings.
I first received some protests which were not really convincing.



Then I received other ones and I now have to admit that clams are not clumsy 🙂
Some can play (& even win) a tic-tac-toe game.


And others are scholarly, they know latin, psalms & english and are even able to arrange bilingual play on words.


In short, I’d like to apologize to all clams I may have offended and hope to hear from them soon.