To change my mind a bit, I just made a small gilded versal on a pebble.
The patterns are inspired by those found in a 12th century manuscript and I will teach the construction of this kind of initials (but not on a pebble) in March 2023 in an online course in English that will be broadcasted by the gentle penman
A fragment of George Orwell’s book, 1984. The first part of the text is lettering created from what I got with an old typewriter, the last word is in a reworked NEULAND adorned with filigrees. The black is watercolor and the red is eosin.
I am making progress on my materials for the course on 12th century initials and filigrees that will take place next April.
But, of course, nothing beats creating to put into practice the elements found in the manuscripts. So here is a small piece of a work in progress.
Yes, it’s green (sometimes you have to get out of your comfort zone), soon a complete view of this composition and, in the meantime, you can already register for the course at the Arche de Saint-Antoine.
I’m not a fan of Halloween so I’m already working on the Christmas decoration for my workshop. Tired of cleaning the windows, I decided to make my decoration on tracing paper which will be taped on the windows, it’s less time consuming to remove than acrylic paint and it’s reusable.
I am very happy to have been asked by IAMPETH for the second year in a row to participate to IAMPETH Virtual, a set of 12 one-hour demos, online and in English with 12 professionals from all over the world.
I’ll be talking (again) about filigrees but this time about a rather special pattern, spirals!!!
It looks like a movie title, the umpteenth of a too long series when the writers have lost all inspiration and the producers are pressing for a last opus in order to make the license a little more profitable.
No such mercantile practices here!
I propose you a course :
– in person, because it is time to get back to meeting people in real life
– in Isère (France), in this wonderful little medieval village of Saint-Antoine l’Abbaye, at the Arche community which will provide full board accommodation
– in April 2023 (from 21 to 23) to celebrate Anselm, Abdiesus and George
– in English and French so that everyone can enjoy it
We will take advantage of this conjunction to offer you shared moments of demonstrations, conferences, exchanges…
But I haven’t told you what I’m going to talk about yet, have I? Oh well, no.
So the subject will be the initials and filigrees of the 12th century, we are at the end of the Romanesque period, we feel the Gothic coming but we are still far from it, the colors and forms are still rich and varied.
For more information, you can consult the dedicated page.
Registration is open and can be done on the Arche website.
It’s really been a very long time since I’ve inflicted one of my filigree lettering on you. Probably because I took a break and devoted myself to other elements of calligraphy.
So here is a two-tone V with filigrees (a little different from what I usually do) and my unavoidable little gilded dots.
Just a small note with variations on the NEULAND, a script that I particularly like for its plastic qualities. And as it is never enough, some filigrees to embellish the whole thing.
And a small video showing the process of modification of the letters
Here are two small letters just out of the workshop. I am reinterpreting the filigree puzzles as I will present them at the Abbey of Maredret during a workshop organized by Interligne in March 2022.
Here we read the first name in the cut of the vertical shaft of the letter, with gilding for the counter shape of the final E.
And here I am having fun with a flower shape that comes to “eat” the letter and decorate it at the same time with copper leaf gilding.