Ar Rannou

I’ve just finished a work started years ago, that was left unfinished because of an overdose of knotwork.


It is a breton text from the Barzaz Breizh, a collection of songs published by Th. de La Villemarqué in the XIXth century.
I used a semi uncial for the text, séparating each verse by a knotwork panel and ending by the title in drawn capitals inspired by the Lindisfarne Gospel. To breathe modernity into the work, I took colors different from the ones used historically, using only earth pigments (Sienna, Umbria, …).

Another detail can be seen here, and the whole work, there.

40

Back to paper and, almost compulsorily, back to filigrees.
A small Birthday card for a friend who just got 40.



Walnut stain and ferro-gallic ink on paper.
It was far too easy, I got to find new challenges or I will soon get back to my engravings on slate/metal.

Every angel is terrible

My latest work gave me the idea of working on a complete set of simple sentences. It’s quite a challenge for me as I always found difficult to layout short texts, even more challenging by the size I decided to use for all of the items of this set (approx. 30x10cm).

So here is the second item of the set, a sentence by Rainer Maria Rilke, taken from the first of the Duino Elegies (I already worked on the same text, using a more consequent fragment, I really love it).



I first wrote the text using a gothic script before copying it on another paper by transparency and finished by decorate with patterns which resemble feathers.

I’m quite happy with the overall result and I’m already thinking to the next challenge.

Nibelungenlied

At last, I’m done with the “first adventure” of the Nibelungenlied. In addition to the calligraphy in gothic fraktur script, I wrote the title into runes, partly engraved on zinc and partly embossed.


As I was saying in my previous message, I’m quite satisfied with it 🙂

To see the whole thing, click here.
And as the picture is a bit small, you can get à look at two closeups here and there.