The secret I’m looking for…

End of year, end of composition.
I’m done with the fragment of “L’Été” by Camus.
Partly in NEULAND, partly in Gothic, both scripts being inspired by Rudolf Koch.

Watercolou, iron gall ink and gouache on kraft paper.

And I take this opportunity to wish you a very good New Year’s Eve & an excellent year 2020.

filigrees

Back to paperwork for an initial with filigrees. This is only a detail first because it isn’t finished yet and second because I don’t want to spoil the surprise for the person who will receive it.


The dark red circle is approximatively 2cm in diameter and I used a pattern found in the MS Espagnol 33 from the BNF, manuscript that we will study during this summer courses in my workshop.

some text

I’ve been quite busy these last ime, preparing my latest exhibition but I didn’t work only on this !
I worked very hard on a new project with quite a lot of text and in a much larger shape than what I’m used to. Until now, I spent about 30 hours working on it, I think I’ve done the most of it. Until I can say it is finished or failed, here is a picture.


Next steps next week if everything goes well.

Ar Rannou

I’ve just finished a work started years ago, that was left unfinished because of an overdose of knotwork.


It is a breton text from the Barzaz Breizh, a collection of songs published by Th. de La Villemarqué in the XIXth century.
I used a semi uncial for the text, séparating each verse by a knotwork panel and ending by the title in drawn capitals inspired by the Lindisfarne Gospel. To breathe modernity into the work, I took colors different from the ones used historically, using only earth pigments (Sienna, Umbria, …).

Another detail can be seen here, and the whole work, there.