This phrase has been on my list of things to calligraph for several years. After several attempts at very different compositions, I think I have found what suits this phrase affixed to the pediment of the temple of the oracle at Delphi.
A new work, fragment of Julien Gracq’s Rivage des Syrtes.
It was long and difficult, I did a lot of drafts (more than usual) before I managed to produce this result. As often now, it was done on a paper from the Kéréon mill.
For several months, I had this paper from Kéréon mill that I didn’t know what to do with. Very nice paper but quite difficult to use because of its composition (linen + peat) which gives it a very rough surface, even uneven. And last night, the illumination: the crate wood! I only recently started using this “tool” for calligraphy because it’s not really made for small writing modules and I have a hard time working in large format, not that it’s difficult but I don’t find it very beautiful in general. Anyway, here is a first draft made with Indian ink and crate wood on this exceptional paper.
I think I will continue in this way, with a slightly smaller module (here the letters are 6 cm high) and I hope to have a composition soon with this fragment of a text of Seneca.